[19], The chorale trio has the form of a trio sonata in which the upper parts are played on the two keyboards of the organ and the basso continuo part is played on the pedals. Search for Library Items Search for Lists Search for Contacts Search for a Library. No. View credits, reviews, tracks and shop for the Vinyl release of Thirteen Chorale Preludes on Discogs. Nine chorales were listed in the 1950 first edition of the Bach-Werke-Verzeichnis: BWV 601, 639, 714, 719, 723, 737, 742, 751 and 957. A common distinctive feature is the use of musical figures to illustrate particular lines or even words in the hymn text. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. This style goes back to the Dutch composer Sweelinck and was adopted by his German pupils Scheidt and Scheidemann; the tradition was continued at the turn of the 18th century by Georg Böhm and Pachelbel from Thuringia, who provided the model for Bach. [6] The piece was posthumously published in 1751 as an appendix to the Art of the Fugue, with the title "Wenn wir in höchsten Nöthen sein" (BWV 668a), instead of the original title "Vor deinen Thron tret ich hiermit" ("Before your throne I now appear"). brother (, extant or clearly documented manuscript (copy) by close friend and/or, Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement), Fugue on a theme by Legrenzi (early version), chorale setting "Nun komm, der Heiden Heiland" (, chorale setting "Gott durch deine Güte" (, chorale setting "Gottes Sohn ist kommen" (, chorale setting "Herr Christ, der ein'ge Gottes Sohn" (, chorale setting "Herr Gott, nun sei gepreiset" (, chorale setting "Lob sei dem allmächtigen Gott" (, chorale setting "Puer natus in Bethlehem" (, chorale setting "Gelobet seist du, Jesu Christ" (, chorale setting "Der Tag, der ist so freudenreich" (, chorale setting "Vom Himmel hoch, da komm ich her" (, chorale setting "Vom Himmel kam der Engel Schar" (, chorale setting "Lobt Gott, ihr Christen allzugleich" (, chorale setting "Christum wir sollen loben schon" (, chorale setting "Helft mir Gotts Güte preisen" (, chorale setting "Das alte Jahr vergangen ist" (, chorale setting "Mit Fried und Freud ich fahr dahin" (, chorale setting "Herr Gott, nun schleuß den Himmel auf" (, chorale setting "O Lamm Gottes, unschuldig" (, chorale setting "Christe, du Lamm Gottes" (, chorale setting "Christus, der uns selig macht" (, chorale setting "Da Jesus an dem Kreuze stund" (, chorale setting "O Mensch, bewein dein Sünde groß" (, chorale setting "O Mensch, bewein dein Sünde groß" (variant), chorale setting "Wir danken dir, Herr Jesu Christ" (, chorale setting "Hilf Gott, dass mir's gelinge" (, chorale setting "Christ lag in Todesbanden" (, chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (, chorale setting "Erstanden ist der heilge Christ" (, chorale setting "Erschienen ist der herrliche Tag" (, chorale setting "Heut triumphieret Gottes Sohn" (, chorale setting "Komm, Gott Schöpfer, heiliger Geist" (, chorale setting "Herr Jesu Christ, dich zu uns wend" (, chorale setting "Liebster Jesu, wir sind hier" distinctus (, chorale setting "Liebster Jesu, wir sind hier" (, chorale setting "Dies sind die heilgen zehn Gebot" (, chorale setting "Vater unser im Himmelreich" (, chorale setting "Durch Adams Fall ist ganz verderbt" (, chorale setting "Es ist das Heil uns kommen her" (, chorale setting "Ich ruf zu dir, Herr Jesu Christ" (, chorale setting "In dich hab ich gehoffet, Herr" (, chorale setting "Wenn wir in höchsten Nöten sein" (, chorale setting "Alle Menschen müssen sterben" (, chorale setting "Ach wie nichtig, ach wie flüchtig" (, chorale setting "Wachet auf, ruft uns die Stimme" (, chorale setting "Wo soll ich fliehen hin" (, chorale setting "Auf meinen lieben Gott" (, chorale setting "Wer nur den lieben Gott lässt walten" (, chorale setting "Meine Seele erhebt den Herren" (, chorale setting "Ach bleib bei uns, Herr Jesu Christ" (, chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (. coll. Check out Bach: Cantata No 147; The Six Motets; Chorales & Chorale Preludes for Advent and Christmas by Sir David Willcocks/King's College Choir, Cambridge on Amazon Music. Buxtehude was one of its most celebrated exponents, with his individual expressive "vocal" ornamentation. This page was last edited on 7 December 2020, at 23:01. for most cantatas) usually indicate the assumed date of first (public) performance. 23), chorale setting "Jesu, meine Freude" (Kirnb. G major 1713–15 Chorale preludes For organ 624 K 53 Hilf Gott, daß mir's gelinge. Folia), are not usually indicated in this column. 21), chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. Five chorale preludes of the Great Eighteen were written in this style: BWV 652, 653, 654, 659 and 662. 16), chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. Bach's many chorale preludes are the best-known examples of the form. chorale setting "Vor deinen Thron tret ich hiermit" (fragment; chorale setting "Wenn wir in höchsten Nöten" (e. v.), chorale setting "Kyrie, Gott Vater in Ewigkeit" from, chorale setting "Christe, aller Welt Trost" from, chorale setting "Kyrie, Gott heiliger Geist" from, chorale setting "Allein Gott in der Höh sei Ehr" from, chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from, chorale setting "Dies sind die heiligen zehen Gebot" from, chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from, chorale setting "Wir gläuben all an einen Gott" from, chorale setting "Wir gläuben all an einen Gott" (Fughetta) from, chorale setting "Vater unser im Himmelreich" from, chorale setting "Christ unser Herr zum Jordan kam" from, chorale setting "Aus tiefer Not schrei ich zu dir" from, chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from, chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from, chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 19), chorale setting "Ich hab mein Sach Gott heimgestellt", chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. Schübler Chorales, BWV 645-650. 7), chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. Bach's Chorale preludes. [7][8][9], The breadth of styles and forms represented by the Great Eighteen is as diverse as that of Bach's Well Tempered Clavier for the keyboard. 11), chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. In 1750 when Bach began to suffer from blindness before his death in July, BWV 666 and 667 were dictated to his student and son-in-law Johann Christoph Altnikol and copied posthumously into the manuscript. Alongside the Chaconne for violin, the ten Chorale Preludes for organ are Busoni’s best-known piano transcriptions of works by J. S. Bach. Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, … The piece, however, is now accepted as a planned reworking of the shorter chorale prelude Wenn wir in höchsten Nöthen sein (BWV 641) from the Orgelbüchlein (c 1715). The two chorale preludes Nun komm' der heiden Heiland, BWV 659, and Schmücke dich, o liebe Seele, BWV 654, had nevertheless become favourites. The autograph manuscript of the Great Eighteen, currently preserved as P 271 in the Berlin State Library, documents that Bach began to prepare the collection around 1740, after having completed Part III of the Clavier-Übung in 1739. Chorale Preludes IV ("German Organ Mass"—from Clavierübung Volume III), BWV 669-678. Volume 8: Bach's last works comprise these 34 compositions, ranging from the six chorale-preludes (taken from cantatas such as “Wachet auf, ruft uns die Stimme”) to the remarkable partitas of the chorale variations. 5), chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. 14), chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. This is a great opportunity to hear feedback on … No. No. chorale setting "Jesu, meine Freude" (unfinished; chorale setting "O Vater, allmächtiger Gott", chorale setting "Das alte Jahr vergangen ist, chorale setting "Herzliebster Jesu, was hast du verbrochen" (, chorale setting "O Jesu, wie ist dein Gestalt" (, chorale setting "O Lamm Gottes unschuldig" (, chorale setting "Ehre sei dir Christe, der du leidest Not" (, chorale setting "Wir glauben all an einen Gott" (, chorale setting "Aus tiefer Not schrei ich zu dir" (, chorale setting "Allein zu dir, Herr Jesu Christ" (, chorale setting "Du Friedefürst, Herr Jesu Christ" (, chorale setting "Erhalt uns Herr, bei deinem Wort" (, chorale setting "Wenn dich Unglück tut greifen an" (, chorale setting "Gott ist mein Heil, mein Hilf und Trost" (, chorale setting "Jesu, meines Lebens Leben" (, chorale setting "Als Jesus Christus in der Nacht" (, chorale setting "Ach Gott, tu dich erbarmen" (, chorale setting "O Herre Gott, dein göttlich Wort" (, chorale setting "Nun lasset uns den Leib begraben" (, chorale setting "Christus, der ist mein Leben" (, chorale setting "Ich hab mein Sach Gott heimgestellt" (, chorale setting "Herr Jesu Christ, du höchstes Gut" (, chorale setting "Herzlich lieb hab ich dich, o Herr" (, chorale setting "Was Gott tut, das ist wohlgetan" (, chorale setting "Werde munter, mein Gemüte" (, chorale setting "Wie nach einer Wasserquelle" (, chorale setting "Christ, der du bist der helle Tag" (, chorale setting "Machs mit mir, Gott, nach deiner Güt" (, chorale setting "Christ, der du bist der helle Tag", chorale setting "O Gott, du frommer Gott", chorale setting "Ach, was soll ich Sünder machen", BWV 533 – Prelude and Fugue in E minor ("Cathedral"), BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals), BWV 534 – Prelude and Fugue in F minor (doubtful), BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535), BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript), BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain, BWV 539a – Fugue in D minor (see BWV 1000 for the, BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542), BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545), BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by, BWV 547 – Prelude and Fugue in C major ("9/8"), BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs), BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs), BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs), BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs), BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs), BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs), BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs), BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by, BWV 566a – Toccata in E major (earlier version of BWV 566), BWV 567 – Prelude in C major (possibly by, BWV 571 – Fantasia (Concerto) in G major (spurious), BWV 573 – Fantasia in C major (incomplete, from the, BWV 574 – Fugue in C minor (on a theme of, BWV 574a – Fugue in C minor (alternative version of BWV 574), BWV 574b – Fugue in C minor (alternative version of BWV 574), BWV 579 – Fugue in B minor (on a theme by, BWV 581 – Fugue in G major (not by Bach, composed by, BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer), BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria), BWV 585 – Trio in C minor (spurious, after, BWV 586 – Trio in G major (spurious, possibly after, BWV 587 – Aria in F major (spurious, after, BWV 590 – Pastorella in F major (first movement probably incomplete), BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by, BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by, BWV 690 – Wer nur den lieben Gott läßt walten, BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No. Organ Mass '' —from Clavierübung Volume III ), chorale setting `` Das Jesulein doch... 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