Animated Brazil — Part One: Kickin’ the Country Around, ‘I Will Face My Fear’ — The Mind-Killing Little Deaths of ‘Dune’ (Part Three), ‘I Will Face My Fear’ — The Mind-Killing Little Deaths of ‘Dune’ (Part Two), ‘I Will Face My Fear’ — The Mind-Killing Little Deaths of ‘Dune’ (Part One), Follow Curtain Going Up! He graduated from the Rossini Conservatory at Pesaro, where he first met and sang with Renata Tebaldi, with whom he would form something of an operatic dream team of the 1950s. Discover releases, reviews, track listings, recommendations, and more about Herbert von Karajan, Giuseppe Verdi, Mario del Monaco, Renata Tebaldi, Aldo Protti, Vienna Philharmonic Orchestra* - Otello at Discogs. Del  Monaco takes the difficult passage, “Dopo l’armi lo vinse l’uragano” (“To those who were left the storm has scattered”), in one long-held, drawn-out breath, comprising the usually omitted acciaccatura (or triplet) notation above the staff. on WordPress.com. This is what may have saved the broadcast from complete and utter ruin. As a young boy he studied the violin but had a passion for singing. His finest moments were during the Council Chamber scene, which was to be expected. L'orgoglio musulmano" (Otello), Otello, … His wasn’t necessarily a “bad” performance, just not up to his usual high standards. He was married to Rina Filippini. Released in 1961 on Decca (catalog no. With Mario Del Monaco, Gabriella Tucci, Tito Gobbi, Anna di Stasio. But never have I heard a more wobbly, more tonally inferior, more dramatically inert performance than the one I experienced with Antonenko. Swearing vengeance, the now seething Paolo hatches a plan to kidnap Amelia and force Boccanegra’s hand, among other matters. The mighty may yet recover from their fall …. I also enjoy Aldo Protti's Jago. Mario Del Monaco as Otello, 1958 (www.liveinternet.ru) Do live performances supersede their recorded counterparts? Her lovely Act I scena was meltingly sung, as were her duets with both Gabriele and Boccanegra. Ora e Per Sempre Addio" 1:58: 6 ... More By Mario del Monaco See All. The ailing James Levine was back at the helm of the Met Orchestra, in the revival of a production by Giancarlo Del Monaco (the mighty tenor’s son), with sets and costumes by Michael Scott, and lighting design by Wayne Chouinard. The antagonists face one another in judgment, hurling allegations of murder, inciting to riot, and various other misdeeds. … L'uomo; L'artista; La voce; Repertorio; La vocalità; Dove ha cantato; Un caso straordinario; Otello del secolo. Un vessillo!" Indietrot Fuggi! Domingo’s attempts to do justice to the great Verdi baritone parts continue to do his favorite composer a disservice. It may remind listeners of the big concertato that closes Act III of Otello. Le ténor florentin s'est en effet identifié au personnage à travers ses 427 (!) Mario del Monaco (Otello), Rosanna Carteri (Desdemona), Renato Capecchi ((Iago), Gino Materra (Cassio), Plinio Clabassi (Lodovico), Athos Cesarini (Roderigo), Nestore Catalani (Montano), Luisella Ciaffi (Emilia) RAI Orchestra, Tullio Serafin. The subtitle of this post, “How the Mighty Have Fallen,” expresses not only the fate of Verdi’s title characters in Simon Boccanegra and Otello, but also the ultimate outcome of those who deign to hold public office. Otello: "Vanne: La Tua Meta Gia Vedo...Credo In un Dio Crudel!" A sa disparition en octobre 1982, il sera même inhumé dans son costume d'Otello ! Calleja’s been able to tame his quicksilver vibrato to the point that he can concentrate on characterization. Una vela! Bizet: Carmen 1963 Puccini: The Great Operas (15 CDs) 2008 Puccini: La Fanciulla del West 1958 Verdi: Otello 1961 Saint-Saëns: Samson and Delilah Enter your email address to follow this blog and receive notifications of new posts by email. But even Franco had never sung a complete Otello on the stage as Mario had so often done. He must dominate by virtue of his position as Doge. Both Simon Boccanegra and Otello have been recorded extensively, mostly in the modern age after the 1960s and 70s when complete albums of these works became readily accessible. (Edizione 1972 Bruxelles, in sottofondo), Per fermare il testo scorrevole a destra, posizionare il puntatore del mouse sul testo, Nessun tenore ha mai superato il numero di recite in teatro del ruolo di Otello come Mario Del Monaco, infatti il celebre tenore è stato Otello per ben 427 volte nei teatri di tutto il mondo, un record che difficilmente potrà essere superato, anche perché praticamente tutti i tenori che si sono cimentati in questo ruolo che richiede non comuni qualità vocali ed artistiche, lo hanno fatto in tarda età e si sono limitati a poche recite, mentre Mario Del Monaco ha iniziato a cantare Otello a soli 35 anni di età e continuando fino all'età di 57 anni con l'ultima recita a Bruxelles, 22 anni in questo ruolo non trascurando altri ruoli drammatici, continuando fino a 60 anni di età quando una grave malattia renale lo ha allontanato definitivamente dai teatri e dal suo pubblico. 4:56: 5 Otello: "Tu?! And the opening storm scene, one of Verdi’s most elaborate episodes, featured some interesting cloud formations via digital software. By that, I mean shifting glass-mirrored panels (or window panes — more like “pains,” if you get my drift) taking the place of actual scenery and sets. Teatro alla Scala di Milano presenta: Otello (1959) Dramma lirico in quattro atti di Arrigo Boito. For the Met’s Boccanegra broadcast of April 9, we have Plácido Domingo in the lead, with Armenian diva Lianna Haroutounian as Amelia, veteran bass Ferruccio Furlanetto  as Fiesco, Maltese tenor Joseph Calleja as Gabriele, American baritone Brian Mulligan as Paolo, and bass Richard Bernstein as Pietro. He had also written about the difficulty of serving two masters in the first version of Boccanegra, as well as in the Judgment Scene from Aida and in the multiple revisions to Don Carlo, where public duty clashed with private anguish. Écoutez Verdi: Otello (Digital Only) de Victoria de los Ángeles, Mario del Monaco, Leonard Warren, Choir of the New York Metropolitan Theatre, Fausto Cleva & Orchestra of the New York Metropolitan Theatre sur Apple Music. Listen to Verdi: Otello (2 CDs) by Renata Tebaldi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia & Alberto Erede on Apple Music. Del Monaco was born in Florence, into a musical upper-class family, to a Neapolitan father and to a mother of Sicilian descent. Stream songs including "Otello, Act I: Una vela! To begin with, this was another in a long line of tiresome “barebones” production values. Soprano Lianna Haroutounian matched him in vocal quality, with some fluid outpourings in the Council Chamber scene amid her dramatic pronouncements. In the early portions, where the part stays comfortably in the middle of his range, Domingo was heard to best advantage. To be fair, even though no announcement of his disposition was forthcoming, I sensed trouble ahead, from the moment he opened his mouth. In Verdi and Boito’s reconfiguration of the play for the operatic stage, Iago is evil incarnate, as his magnificent “Credo” makes plain. The love duet with Gerzmova’s beautifully inflected soprano, came off better than expected. However as the opera progressed, the voice lost body and luster. He was forced to deal with the absurd demands of the censors when faced with making radical changes to Rigoletto and Un Ballo in Maschera. “I believe in a cruel God,” he thunders forth near the start of the second act, “who has made me in His image and who in wrath I now worship!” Iago’s hatred of the Moor goes beyond his elevation of Cassio to the rank of captain. The Met was indeed fortunate to have engaged the services of this veteran artist, who has sung Otello and most of the Italian repertoire in his native Italy (he hails from the Reggio Calabria area) and abroad. His early mentors as a singer included Arturo Melocchi, his teacher at Pesaro, and Cherubino Raffaelli, who recognized his talent and helped launch hi… Popolo dalla feroce storia!” (“Plebeians! Mario del Monaco had the perfect Otello voice, and if Tebaldi sounds a little too formidable to be pushed around like that by her husband, and Protti doesn't score all the interpretative points of some other Iagos on disc, it's still a wonderful version, not least for Karajan's incisive conducting and Decca's splendiferous "you-are-there" sound-stage. Néanmoins,il faut Posséder cet enregistrement pour qui admirait Mario DEL mONACO. We remain hopeful that a Met Opera star in the making may have been born that afternoon. Giuseppe Verdi,Verdi Mario del Monaco, Renata Tebaldi, Aldo Protti, Vienna Philharmonic Orchestra*, Herbert von Karajan: Giuseppe Verdi,Verdi Mario del Monaco, Renata Tebaldi, Aldo Protti, Vienna Philharmonic Orchestra*, Herbert von Karajan - Otello ‎ (3xLP + Box) London Records: 411 618-1: US: 1961: Sell This Version He served as an unwilling member of the Italian Parliament when the fledgling republic had achieved its longed-for reunification. All started and ended up as baritones, nothing more and nothing less. for his Otello performances in New York and also for all his performances on the spring tour including Samson and his only complete Pinkerton (3 May 1958 in Atlanta). Let’s hope, too, that another star tenor, i.e., Aleksandrs Antonenko, can recover from this ill-fated episode to re-emerge as the talented individual he no doubt is. Boccanegra’s voice must soar above the fray. Protti is masterful as the evil Jago. Per la Grande Musica Lirica in TV oggi domenica 6 settembre alle 18.30 in onda su RAI 5 l’opera “Otello” di Giuseppe Verdi con l’interpretazione di Mario Del Monaco, diretto da Tullio Serafin per la regia di Franco Enriquez nella storica versione realizzata nel 1958. He cannot be performed by a small man … [T]he figure is of a tall, imposing man … It is not even a question of what is suitable for your voice, although naturally this is of first-class importance … It is the strength and nobility of the inner man which makes the effect, and he should be in harmony with his surroundings.” Domingo certainly has the height and physique du rôle, but at age 75 (at the time of this broadcast) the “strength and nobility of the inner man,” represented by what can be transmitted via the voice, can no longer hold its own. Mario Del Monaco was born on July 27, 1915 in Florence, Tuscany, Italy. Indietro Fuggi,Ora E Per Sempr mp3 download free “He will be caught, imprisoned and condemned to death. Paolo, too, has his “Iago moment,” coming as it does, coincidentally enough, at the opening of Act II of Simon Boccanegra. He and Rethberg make a marvelous father-daughter combo, as does the trumpet-like Martinelli (who was also an excellent Otello). Check out Verdi: Otello by Mario Del Monaco, Floriana Cavalli, Tito Gobbi, Rome Opera Orchestra, Franco Capuana, Rome Opera Chorus, Guiseppe Conca, Agostino Lazzari, Athos Cesarini, Arturo La Porta, Dora Minazzi on Amazon Music. The mirrored effect of all those sliding panels finally came into its own in Act IV, with Desdemona’s bedroom. Otello, a classical music Album by Vienna Philharmonic Orchestra / Karajan / Del Monaco / Tebaldi / Protti. Alcuni critici avevano osservato che se Verdi, sempre moderno nella sua concezione del teatro, avesse avuto a disposizione Del Monaco, l'avrebbe preferito a Tamagno.Del Monaco possedeva per Otello la vocalità adatta ma il suo merito artistico è stato quello di approfondire e studiare l'impegnativo personaggio nei minimi particolari portandolo ad una evoluzione che nell'arco di venti anni le sue interpretazioni rivelano compiutamente. From the initial sound of things, I would say that Señor Domingo tried to give his considerable all to Simon. Mario Del Monaco, Soundtrack: The Untouchables. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Vale la pena di osservare che negli ultimi "esultate" Del Monaco riesce a cantare "nostra del cielo è gloria" fino a "uragano" con un fiato solo. The History of Mario Del Monaco. Certainly the LP era improved matters somewhat, as did the video and DVD/Blu-ray Disc period. Del Monaco was THE Otello of his generation (and for many, still unsurpassed by later singers), much as Domingo is ours'. Vinay kept that rich, dark timbre from his baritone days, as evidenced in the above excerpt. Patrizi! In the all-important Council Chamber, it sounded disembodied from the rest. Patricians! and more. Let’s say no more of it then!’ A fellow like that might deceive everybody, even his own wife, up to a point.”. No wonder the chorus ran off to shouts of “Orror!” (in an echo and reversal of Paolo’s infamous cry at the Act I curtain to Simon Boccanegra). Double Cd, 20 bit high definition, slightly used excellent condition! Mit Mario del Monaco als Othello und Herbert von Karajan am Pult der Wiener Philharmoniker hatte sie natürlich im Vergleich zur Konkurrenz zwei schier unschlagbare Trümpfe in der Hand. incarnations à la scène. Il mitico Otello; Tenore verdiano; Album fotografico. Here, this remarkable artist is at the top of his form, with a seamless legato, superb phrasing, peerless top notes, and that marvelous cello-like quality Tibbett was noted for. Nice, but what about the singers? The tenor is only in his early 40s, but he’s managed to develop a nagging wobble that has marred many of his performances. The most consistent of the above artists happened to be maestro Fischer, who started Otello off with a (literal) bang in an utterly involving storm scene of manic turbulence and excitement, helped along by the wonderful Met Opera Chorus under Donald Palumbo. Find album reviews, stream songs, credits and award information for Verdi: Othello - Mario del Monaco on AllMusic - 1999 I’ll even take a Renato Bruson, a Giuseppe Taddei, or even a Leo Nucci when pressed hard for examples. Speaking of which, my favorite Moor performance comes from Mario Del Monaco, whose leonine stage presence, robust vocal output, and dynamic delivery of the text can be found in any number of live excerpts, including an astounding rendition of Otello’s grand entrance, “Esultate!” (“Exult!”). Otello è … More to the point, Otello is supposed to be a Moor, a black African man in an all-white Venetian society, serving at that society’s whim to rule, in their name, as a governor on the island of Cypress. We were treated to more of that dispiriting “same old, same old” look that most productions have encompassed of late. Ferruccio Furlanetto’s rich-voiced Jacopo Fiesco was an absolute joy to listen to. Mario del Monaco (Florencia, 27 de julio de 1915 - Mestre, 16 de octubre de 1982) fue un tenor italiano.Es comúnmente considerado el mejor tenor dramático del siglo XX. Three great voices who are legendary in this opera include Mario Del Monaco as Otello, Renata Tebaldi as Desdemona, and Aldo Protti as Jago. Now HERE was a sound I had not heard in many a season. He must have had iron filament for lungs! Anche le ultime interpretazioni in cui Del Monaco come Otello discendeva "nella valle degli anni", se rivelano una minore esuberanza vocale, sono sempre logiche, credibili e vocalmente interessanti. Stream ad-free or purchase CD's and MP3s now on Amazon.com. I wrote about this transition a few years ago in connection to his appearance as the elder Germont in La Traviata (see the following link for details: https://josmarlopes.wordpress.com/2013/04/14/salad-bowl-italian-opera-style-continues-with-la-traviata/). I enjoyed his “Sento avvampar nell’anima” solo, with its rapid articulations indicative of Gabriele’s shifting states of emotion. Next to Iago’s perfidy, however, Paolo is an outright amateur. Now to the performance: Mario del Monaco was probably the most famous Otello of the post war era. Complete your Herbert von Karajan, Giuseppe Verdi, Mario del Monaco, Renata Tebaldi, Aldo Protti, Vienna Philharmonic Orchestra* collection. Domingo, regrettably, has not. Giuseppe Verdi Mario Del Monaco Otello double Cd set Mondo Musica 20 bit 1999 for sale. That all depends on the caliber of the artists involved. Getting to the new Bartlett Sher/Es Devlin production of Otello, heard on April 23rd, the listening audience was in for more than its fair share of surprises. I’ve heard my share of disastrous assumptions in years past, as well as an unnerving one by the barrel-chested Richard Cassilly. This was partially due to the deference he paid to the late Gioachino Rossini, who had premiered his own version of Otello back in December 1816. and more. She, on the other hand, is repelled by the money-grubbing Paolo who is only interested in her family’s wealth and status. Find album reviews, stream songs, credits and award information for Verdi: Otello - Mario del Monaco, Renata Tebaldi, Leonard Warren, Antonino Votto on AllMusic - 2004 Per poter utilizzare questo sito è necessario attivare JavaScript. ", "Otello, Act I: Esultate!" As well it should, since the 1881 revision of Boccanegra preceded the later work by only six years. A superb rendition of the iintriger along with an awesome inspiring Del Monaco Find album reviews, stream songs, credits and award information for Verdi: Othello - Mario del Monaco on AllMusic - 1999 Mario Del Monaco and Tito Gobbi were the greatest Otello and Jago of their time. More problematic was Antonenko’s inability to find his comfort zone with Otello’s daunting tessitura. So little was left of his vocal apparatus that he barely got the words out. Pinza is a model of what an Italian basso should sound like, and the young Warren was at the start of an illustrious career in Verdi. An endless parade of loyalists and appointees have come and gone, with each one vying for a piece of the coming administration’s pie. After the disastrous premiere and subsequent successful revivals, the title reverted back to The Barber of Seville. The work is widely regarded as one of the greatest of music-dramas. Check out Verdi - Otello by Mario del Monaco, Raina Kabaiwanska, Sir Georg Solti, Orchestra del Covent Garden on Amazon Music. In fact, it borders on the pathological. Ferruccio Furlanetto as Jacopo Fiesco (Operchic). Tibbett spearheaded the Verdi revival at the Met of the 1930s. I’ve also been privy to the best of the best: Zenatello, Martinelli, Vinay, Del Monaco, Vickers, McCracken, Cossutta, Domingo, Cura, et al. (Coro), Otello, Act I: "Esultate! Live performances of many rarely performed Verdi works are plentiful online and on-demand, as well as on YouTube. SET 209-11; Vinyl LP). There’s even a snippet of Vinay as His Moorship’s Ancient, Iago, with Del Monaco’s tremendously exciting Otello (documented on YouTube) in a 1962 broadcast from the Dallas Civic Opera of the “Si, pel ciel” Vengeance Duet, conducted by Nicola Rescigno. He switched over to tenor in the 1940s and 50s, but reverted to bass-baritone in the early 1960s to assume such parts as Telramund in Lohengrin, Bartolo in The Barber of Seville, and Scarpia in Tosca. This convinced Verdi to think the matter over and keep Otello as the title of his piece. Recoiling in abject horror, Paolo repeats the curse, “Sia maledetto!” (“Let him be accursed!”), which is picked up by the entire cast and chorus, then whispered twice more in unison. Find album reviews, stream songs, credits and award information for Verdi: Otello - Mario del Monaco, Nicola Rescigno on AllMusic - 2005 Su rol más representativo fue Otello, de la ópera homónima de Giuseppe Verdi. Do live performances supersede their recorded counterparts? For all his skills and ability in this repertoire, Lučić does not sound like your standard Verdi baritone. Excellent Otello avec le meilleur interprète, (jusqu'à present),du monde. The conductor was Hungarian-born Ádám Fischer. And I instinctively know when a voice has the stamina and thrust to acquit itself favorably in the part. http://vaimusic.com/VIDEO/DVD_4425_Otello.htm Mario Del Monaco & Tito Gobbi sing "Era la notte, Cassio dormia - Si, pel ciel marmoreo giuro!" These grievances and slights can serve as the modus operandi  for any number of operatic plot points. Mario Del Monaco ancora in Otello Dotato dalla natura di mezzi vocali d'eccezione [2] , possedeva una voce scura e di rara potenza, tipicamente di tenore drammatico, con inflessioni a tratti quasi baritonali , ma luminosa e facile anche nel registro superiore, potendo sfoggiare Si e Do di rara ricchezza e volume. 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